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Read moreOthersode #80: Are You There, Pod? It's Us, BSG / Are You There, God? It's Me, Margaret
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Read moreOthersode #78: Follow Me to the Bowl / Daisy Jones and the Six
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Read moreLet's Get Weird
Mary: We are here today to talk about our best friends, Weird Al Yankovic and Daniel Radcliffe. JK, we are here to talk about Weird:The Al Yankovic Story, a parody biopic starring Radcliffe and focusing on Yankovic’s life – sort of. I know that both of us have been hyped about this movie for a long time – years?? Hard to say – so what drew you to it? Did you listen to Weird Al growing up? Obviously Daniel Radcliffe was a draw!
Read moreSensuality and Spirituality in Asha's Awakening
Appropriately enough for a Valentine’s Day post, I initially heard of singer/songwriter Raveena during my first ever queer romance, when the girl I had just started dating made me a playlist (lol, gay). I remember being immediately struck by Raveena’s music, which is queer and sexy and undeniably magical, and texting the aforementioned Girl about how much I loved it. I have since bitterly unsubscribed from that playlist, but I simply could not unsubscribe from Raveena.
Raveena’s latest, Asha’s Awakening, is a concept album centered around the titular Asha, a Punjabi space princess from ancient times. In an instagram post promoting the music video for the album’s first single, “Rush,” Raveena writes of Asha: “[She] is trained by peaceful aliens in highly advanced spiritual magic. When she comes back down to Earth after her 2000 years of training in space, she attracts an obsessive cult following around her, which leads to her eventual demise.” The album weaves together a number of musical influences, from Bollywood scores to R&B of the early 2000s, and the result is a joyful and sensuous experience that demands repeated listening.
Othersode #62: It Made Me Want to Die / Our Favorite Things of 2021
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Read moreAlbum Review: Lucy Dacus' Home Video Delivers
On June 25th, Lucy Dacus released Home Video, her third studio album. I’ve been a fan of Dacus since I heard her first single back in 2016, “I Don’t Wanna Be Funny Anymore,” a song which explores the niche yet relatable experience of being the “funny one” and how that impacts one’s sense of identity. I was so taken by that song in particular that I began following her career in earnest, and she has yet to disappoint. I was obsessed with her sophomore album, Historian—I think I’ve listened to the song “Night Shift” over 100 times at this point—and I’m also a big fan of Boygenius, the sad!queer supergroup Dacus formed with Julien Baker and Phoebe Bridgers.
Needless to say, I was fully primed to love her new album, and I’m pleased to report that it still managed to exceed my expectations. With Home Video, Dacus shifts the lens from the present to focus on her suburban Christian upbringing in Richmond, Virginia, and how those memories and romantic entanglements inform the person she’s become. It’s a crush of nostalgia, confusion, naivete and burgeoning queerness, and it’s proof that Dacus has hit her stride.
Read moreTwerkin' on the Devil: An Analysis of "Montero (Call Me By Your Name)" by Lil Nas X
Lil Nas X released a music video on March 25, 2021 that changed the world.
Okay, maybe it didn’t change the world, but it did get people talking, and it definitely incensed a huge chunk of America. For those not in the know, I live in Mississippi, which doesn’t have the best history when it comes to supporting LGBTQ+ rights.
Othersode #48: IN CONCLUSION / Our 2020 Pop Culture Faves
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Read moreLet's Talk About Divorce: The Chicks Burn it Down on 'Gaslighter'
As a childhood fan of The Dixie Chicks—now known as The Chicks—and longtime Natalie Maines stan, I was primed and ready for Gaslighter to drop. When I first listened to the lead single, also titled "Gaslighter," I loved its energy, marching beat and biting burns ("repeating all of the mistakes of your father..."). When the full album was released, it was pretty clear after listening to just a few tracks that Gaslighter isn't just an album of breakup songs; it's largely Natalie Maines's divorce album. And I'm here for it.
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